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‘Grease’ Almost Starred Henry Winkler as Danny Zuko—Why He Walked Away From the Role

One decision changed two careers forever—and Winkler says he'd do it differently today

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Key Takeaways

  • Henry Winkler turned down the role of Danny Zuko in 'Grease' over fears of being typecast.
  • Winkler later admitted the decision was a mistake, telling 'People' simply, "I was dumb."
  • Winkler says the key to avoiding typecasting is reinventing yourself.

Grease was one of the most popular movies of the 1970s. It had humor, nostalgia, drama and a couple in the form of John Travolta and Olivia Newton-John you couldn’t help but root for. But what if we told you that half of that couple was almost played by someone else? That’s right, Danny Zuko was almost played by Henry Winkler, the cool and slick actor best known for Happy Days, and not Travolta. Below, we share why Winkler never actually joined the cast. 

A look at Henry Winkler’s potential role in ‘Grease’ 

John Travolta in 'Grease'
John Travolta in ‘Grease’Courtesy of the Everett Collection

Grease follows good girl Sandy Olsson (Newton-John) and bad boy Danny Zuko (Travolta), who fall in love over the summer—only to be unexpectedly reunited when the school year begins. Once back in their high school world, both quickly realize that the person they connected with during those carefree months may not fully reflect who they are in front of their peers.

Alongside Newton-John and Travolta, the film featured Stockard Channing, Didi Conn, Jeff Conaway, Dinah Manoff, Michael Tucci and Barry Pearl. Notably, Henry Winkler was considered for the role of Danny but ultimately turned it down, concerned it would feel too similar to his iconic turn as Fonzie on Happy Days.

“This is the reason, in my pathetic mind, I thought to myself, ‘I have now been the Fonz for 10 years,’” Winkler said on Kelly Ripa’s Let’s Talk Off Camera podcast in 2024. “‘I’m now gonna play him again in the movies? I’m gonna be so typecast. I will never get work again.’”

“So what happened? I go home. I relax. I have a V8,” the actor continued. “John Travolta goes home and buys a plane.”

What’s often lost in the narrative about Winkler turning down Grease is that he was already actively trying to avoid being trapped as The Fonz. By the late ’70s, Winkler understood something that many television stars only realize too late: success can be a double-edged sword. The leather jacket, the cool detachment and the comic swagger may have made him a household name, but it also threatened to define the limits of how audiences and casting directors saw him.

In response, he began making creative choices that were designed to broaden his range and prove to the world that there was more to him than thumbs up and a proclamation of, “Ayyyyy!” One of the most notable was 1977’s Heroes, in which he starred opposite Sally Field. The film cast him as a troubled Vietnam veteran struggling with emotional trauma—about as far removed from Fonzie as one could get. While Heroes didn’t redefine his career overnight, it demonstrated his willingness to take risks and challenge audience expectations.

Henry Winker in 'Happy Days'
Henry Winker in ‘Happy Days’Courtesy of the Everett Collection

He followed that with other efforts, including directing and producing, as well as taking on roles that consciously pushed against the Fonzie image. Yet the irony was unavoidable: the very success of Happy Days made it difficult for audiences to separate Winkler from the character they loved. Even when he stepped into more dramatic or offbeat territory, the shadow of the Fonz lingered. 

In a separate interview with People magazine in 2022, Winkler opened up further about the decision to not join the Grease cast and his personal revelation, saying, “I was dumb.” 

“I spent so much energy, so much time—I spent so many sleepless nights thinking, ‘How do I not get typecast?’” he continued, before sharing how he would avoid doing that same thing going forward. “You go with the flow. What you do is you prepare to reinvent yourself. You do something completely different and then come back to the center.”

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